Sunday, April 19, 2015

Announcement- Retirement from Teaching! Thanks for the Years!

at Pro Chem, MA 2011
NH Mixed Media artist, Wen Redmond has made the bittersweet decision to retire from teaching workshops- unless inspired by mad impulse! 
Many of her techniques can be found in magazines or DVD's in links on her workshop page on her blog.

at the SDA Conference 2011
So she's not dropping off the map! It's just life has offered other opportunities both in her art and in her family that requires her devotion and energy.
Peters Valley NJ 2013
Here's what happened.
2010 Northern Lights Quilt Guild
The NE guilds, MA/RI and NH/VT/ME hosted Leni Weiner at the recent SAQA meeting held during the MQX Festival in Manchester, earlier this month. Her talk was about listening to your voice, which I thought I've been doing.
However, listening also means n
ot doing everything like you always have, it means eliminating parts of your art that aren't working for you anymore- etc- go listen to her lecture- Fantastic!
Milford NH Souhegan Valley Quilters' Guild 2011
Anyway, I realized that I don't want to teach anymore. I enjoy it but I have another focus both in art and family that helped me decide I can't spend time on garnering, publicizing, gathering supplies, review, revision, travel and keeping ALL that around my studio for the next time. I will let it go!
sigh, thank you Leni!!

Quilters Connections 2010 
just a few photos from over the years. Many are before the digital revolution! 
Thanks for the Years!

Friday, April 10, 2015

Machine Quilters Exposition

Just Finished teaching
a 1/2 day workshop- Thermal Facts
a full day workshop- Holographic Memories
Where we had a wonderful class with lots of enthusiasm!
 Busy working!
Some of the participants took both classes and had personalized fabric for their frame borders!
 Never has hammering sounds been so sweet!
Adele with her awesome finished work! A Winter Fairy Land!
 Donna created the fabric just for this photograph. Very contemplative!
Diane choose a fabric from my stash for a finished Holographic Image that repeats the lines in her photograph for a harmonized result!
Great job Everyone! It was my pleasure to be your teacher!
MQX is a Rock Star Show. I hope you get to see it!

Friday, April 3, 2015

The Machine- Created for SAQA Silver Anniversary

Digital Fiber

A photograph of a reflection in a store window filled with antique sewing machines of all varieties
Printed on Textured Molding Paste, stitched, and cut into segments. Each segment is hand-tied together.
molding paste drying
inkAid applied
Digital Broadcloth, paint, medium, pearl cotton & thread
on table with backing and getting ready to cut into segments
Created for SAQA Silver Anniversary
A photographic reflection of a storefront window filled with sewing machines. This piece is dedicated to SAQA and the Machine that made modern fiber art possible!
The Machine
While walking on a street in Boston with my son, we passed a storefront window filled with antique sewing machines of all brands. What a delight! I took several photographs because I found it so interesting. The glass of the window captured the machines and the street we were standing on in a hazy reflection.
 The combination of the old sewing machines with the urban scene strike me as juxtaposition, representing the lengths that art quilting has traveled.
I chose to present this image printed on a molding paste substrate. I prepared interfacing as the substrate, spread on the paste & coated with an ink jet preparation. The image was divided accordingly, printed and quilted.
Some of the machines in the photograph are distorted and hazy so I quilted the machines in black at first, but they needed some additional highlighting. I choose a variegated black & silver to continue the theme of SAQA’s Silver Anniversary.
Each section was then reassembled viva hand stitching and tying. This technique resembles how SAQA holds all of the great variety in the art quilt world together.
Who else would appreciate the sewing machine as much! This piece, The Machine, is dedicated to SAQA and the Machine that made modern fiber art possible!
original photograph- can you see my son & me? 

Monday, February 23, 2015

National Fiber Directions

Pleased that two of my works have been selected for National Fiber Directions, in Wichita, KS
Whispers of the Positive

Hand pulled print, collaged, and sewn watercolor paper, cloth, painted with acrylics, layered with digital images, monoprinting.
Inkjet prints, cyanotype, silk organza, cheesecloth, watercolor paper, ink drawings and mediums.

Edge of Winter

Molding Paste, inkAid, photograph, fabric, acrylic, glass bead medium, hand painted fabrics and stitched with pearl cotton.

This work was an experiment, what I love to do best. The photograph was taken on a foggy day so there was little detail. I use my textured photograph technique that was published and still available- here. I used pearl inkaid to bring out the glow one finds on those magical days of fog. 

Saturday, February 14, 2015

Designed to Inspire so you'll be Inspired to Design! Collagraphs!

Collagraph's are easy to make!
Use a stiff base like cardboard, foam board etc. Glue low relief items to it.
You can even use a hot glue gun to make marks on the base.
the inked plate
Apply thicker fabric paints, screen printing inks or acrylic paint to the base with a brush. A foam brush will shred so I use a inexpensive bristle brush found at a local mart. These are called 'chip' brushes. Note- I always use washable paints.
rolling out ink with a brayer
Sometimes I just brayer the top of the collagraph to catch the design. Experiment with all techniques to find the one you like the best. 
on Painted Fabric from my Fabric Transformations Workshop
collagraph on a T-Shirt

Friday, February 6, 2015

Painting Fabrics- Sunprinting

Sunprinting is a great excuse to do some plain air painting! Gather your paints on a sunny warm day and go outside. I generally paint on a plastic surface, so I can just spread out on any table.
Most washable paints will work with this technique. The best results will come when the paint dries the quickest and the item you use is in good contact with the wet paint. That said, you can do this inside overnight until the fabric dries but the result will be more hazy and less defined.
 All of the fabrics used are pima cotton and PDF. But you can use any washed non-textured fabric. Texture interferes with the printing results. The fabric above uses cheesecloth for it's print.
This fabric has a print using a section of rug mat. I over-sprayed with 2 different metallics while it was drying resulting in a slight diffused metallic spread. Metallics must be diluted when sprayed or they will clog your spray bottle. There are spray metallic paints available.
A simple toothpick print evokes a fence, bare trees in winter, or playful pick up sticks. Who remembers those?
Natural materials of all sorts can create wonderful prints and you're already outside after all!!
Sunprinting is part of my Fab Fabric Painting Workshop.

Sunday, February 1, 2015

Fabric Painting- On A Roll! Brayer Printing

I use inexpensive brayers, found at any hardware or dollar store, to create textured printing. Use inexpensive sponge, foam and textured brayers. 

Paint a sponge brayer with a textured medium to create unique textural mark. Do you still have your old glue gun? Fire it up and decorate a cheap sponge brayer for a very personal mark-making tool.

You can also use any recycled cardboard tubes, toilet paper, corks, even old thread spools to make your own brayers.
Add designs using foam stickies, string, elastic, cloth scraps and you’re on a roll! Try carving an old candle!

Print on a padded surface for the best detail. I have a print/ironing table in my studio. It can be made with firm batting or acrylic wool covered with duck or some sturdy fabric. I staple it directly to the underside of the table. It can be removed when it starts to turn multicolored and re0worked into delightful painted fabric for your art projects.
Hint- I keep my paints upside down when stored. This way I can see the colors readily, the paint is ready to squirt out of the container and it helps seal the paint container for less evaporation.
 simple thread tangled on a brayer

Tuesday, January 27, 2015


Mono-printing is a simple, easy to learn and spontaneous technique. I include it as part of my Fabric Transformations Workshop Series.
 You can start with white paper or fabric but it's also a great technique to use with already painted or dyed fabrics. You can add details or fix dull or boring fabric too!
This technique is achieved with thicker paints. You can also use fluid paints by adding a thicker medium.
Use one or more colors on your plate. I use a very inexpensive plate. 4mm plastic! Cut to any size!
 Over print with several mono prints. This one started out white.
Use masks to create windows. And have FuN!

Tuesday, January 20, 2015

Fabric Painting- Can't Resist!

There are so many resists! Simple and complex. Even dried acrylic paint will create a unique resist!
This piece uses string as the resist. Sprayed and and free form painting from nozzle bottle. Pair this with sun printing to increase depth.
 Painted fabric with leaf used as a simple resist. Spray painted over previously painted cloth
 Painted fabric with plastic wrap applied, while wet, for a simple mechanical resist.
Any torn or cut paper cover sections of the the dried painted cloth. Paint can be applied with brayer sponge or brush. Move paper repeatedly to create the design. 

Sunday, January 11, 2015

Painting Fiber- Creating the Mood with the Muse

Painting fabrics is something I can do when I need motivation to get in the mood to work on other projects. I can paint without much thought or even thinking about color combinations. 
I never wash my brush when I'm painting but continue to use it as I add colors. This method of painting lends itself to painting in the moment, creative color mixes and listening to the muse.
Silk Noil, above, is one of my favorite fabrics. I love the texture, the nubs, the feel, even the smell. This fabric has been painted several times, each time I regathered it loosely and allow to dry before adding another layer of paint.
When I finish a painting session, I spray out the paint, collected in the brush, with water, on the cloth. This almost cleans the brush and adds delicate colors to the painted fabric.
 Silk Organza is another favorite. I use it often for layering. Most of the time I paint on damp fabrics to encourage spread. This piece was painted that way first. Then, I added blobs of highly diluted black on the dried fabric and allowed it to spread.
Occasionally I get into resists, which are included in my Fabric Transformations Workshop Series. This is a simple starch resist with 2 layered of paint. Love the texture!
And paper! A fairly recent addition to my work. About 10 years agao I took a workshop with Fran Skiles. It was delightful! She was one of those teachers that really changes your perspective on how you can do things. While I don't do what she does with my own work, I have fun playing with different papers. This is simple drawing paper used as a print off on painted fabric.

I have an Etsy shop where I sell some of my painted fabrics- you can go here to see some!
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