Thursday, September 26, 2013

Shattered


Shattered
Digital Fiber- Image of broken glass
Images are printed onto treated natural textiles and other surfaces, combining painting and digital media into a one of a kind art piece.
Creatively stitched. Segments are creatively stitched and held together with a hand-tied bookbinding method.   12x12
mounted on 1 1/2" black painted canvas

Thursday, September 12, 2013

Dinner at Eight Interview for Exquisite Moment


I have been accepted for the annual exhibition with Dinner At Eight Artists, the intrepid, Jamie and Leslie. blog here
The following is an interview which will appear on their blog.

1, What year did you make your first quilt?  Traditional or art?
I made my first quilt, self-taught & experimental with found scraps, in 1974.
Amethyst Summer
2.  What is the first show, and year, that you ever entered your art quilts?  Venue?
Quilt National has always been at the top of my list, Art Quilt 21, that is now Art Quilt Lowell, MA, Quilters Gathering, MA and my local guild. In 1986, one of my pieces was requested for the museum that became the National Quilt Museum in Paducah, KY.
Jonathan's Dream
3.  What is your artistic style?
I love to experiment. My work has grown though many stages. Presently, I work with digital fiber processes.

4.  Have you ever changed your style from when you started making quilts?
Yes, I have a lecture, Journey with a Fiber Artist, which shows my work as it changed and grew. Transformation is the lifeblood of my work.

5.  What other style in quilt making peaks your interest?
I’m really into digital works. I enjoy how other artists use the process to present images differently or use a consistent subject matter as their focus. Digital Collage is fast becoming my new focus.

6.  What other medium in art influences your work as a fiber artist?
Media Mix is my term for a workshop I offer using fibers, papers and a host of acrylic mediums. The spontaneity and serendipity feed the process of experimentation.
I will be teaching this at Peters Valley Crafts Center , NJ on August 23-27- Info Here
Whispers of the Positive 
7.  What do you have coming up?  Shows, Articles in magazines, Books, etc.
I’m proud to have been included in Brainstorms at Visions Art Museum, CA, recently, at Interplay: Digital Mixed Media at Cotuit Center, and upcoming, Sacred Threads, Pushing the Surface, Johnson-Humrickhouse Museum OH, Niche Award finalist and interview Lesley Riley’s radio www.blogtalkradio.com

Published Articles
SAQA Winter Journal
Quilting Arts Magazine, Textured Fiber Photographs
Interweave DVD Workshop, Textured Fiber Photographs-     Info Here
Leaping Point
Books
Cutting Edge Art Quilts, Mary Kerr
Fabric Surface Design, Cheryl Rezendes
Bound, a WCA NYC exhibit
Studio Quilt, Sandra Sider

8.  Where will your art take you from here?
Hopefully, into the flow, imagination and continued growth. One of my key phrases I use about my art is- ‘Making the Imagination Real’.  One of the joys of teaching is seeing workshop participants reveal themselves, get into the flow and make art.

9.  Describe your studio space:
Recently, I have moved out of a delightful studio space in an art community and also, out of a large studio in my home into a smaller but very efficient studio in a new home. There is lots of natural light. There is the simple joy of retraction, with the expectation of how this new environment will influence my work.

10. What was the biggest challenge you have encountered in the making of your art quilt for "An Exquisite Moment?"
I wanted to use lots of color for this piece. Normally, my work is muted in tone.
I worked with a number of images, which are collaged digitally.
The colors in the piece are created by the addition of images of my painted fabrics. These layer over the complete collage, influencing or changing the final color.
 
Birds Eye View detail- see full piece on Dinner at Eight's blog (link at top)

Our Bodies


Our Bodies
Digital Fiber- Image of an artist’s journal page.
Images are printed onto treated natural textiles and other surfaces, combining painting and digital media into a one of a kind art piece.
Creatively stitched. Segments are creatively stitched and held together with a hand-tied bookbinding method.   12x12

Sunday, September 8, 2013

Wading Though Tall Grass

I created a series of Digital Works this past winter.

For this particular piece, I made a substrate collage of just a couple inkjet fabrics to give interest to the final print.
Here's the original printout before I worked into it. You can see the vertical line of the additional physical layer running vertically. There are 2 more such pieces.
I applied 5 dyed, silk organza, free cut squares, on the lower right, to add additional interest and focal points.
I had written onto the silk before I cut it. I enjoy adding text, readable or not, into my work.
I repeated the square motif in free style quilting lines. The repeated lines gave me the idea for the title.
Each piece was mounted on birch panels I purchased from Dick Blick. The panel sides were painted matt black first. I did a blog post explaining this process earlier. (here)
I like to create a painted edge, which to can see here in deep cobalt blue.
detail
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