Printing on Fabric with InkAid

Paint fabric with any InkAid. It comes in Clear, White, Red, Blue, Pearl and my fav, Bronze.
InkAid secures a fine printed image and preserves it.
I've painted cotton broadcloth with a combo of Bronze and Clear. I like the variegated result.

I've ironed my cloth onto HTC's Trans-Web. This is a terrific fusible. I love how it doesn't show with silk organza.

The photo was divided into printable size sections in Photoshop.

I sliced the cloth lengthwise into strips the width of the each printed photo.

 Next, I sliced the prepared cloth into the proper width.

I arrange the sections into a pleasing composition- out of the order in which it was painted wiht inkaid.

Manipulated Photo

Next to print! The fusible becomes the carrier sheet. It can now be printed like a sheet of paper. I did iron them so they weren't curled going though the printer.

After they are printed, I decided to fuse them to sheet of stabilizer that is equal to the total size of all the pictures. This is another HTC product that they call it CutAway. It is a poly/rayon non-woven material I find extremely versatile.

 Ready to stitch my drawing lines, sew into borders and mount!

Tree Shadows

Finished!

Links

InkAid

HTC's Trans-Web

HTC's CutAway Stabilizer 

Leaf, a sample book from Stalking the Wild Print Workshop

There's room in the workshop!    
MAY 5   Stalking the Wild Print –as published in Cloth Paper Scissors 2011

Pages ready with dried wash

Assembling Materials, you just don't want to stop!

Printed! 

Hello Leaf!

Opened Book Spread

ppp-Pages!

journal page snap

       I love journaling. Often, when I'm working with paint, I grab my journal to do what I call a print-off.
I place the page right on top of the painted surface and it picks up a print of the colors.
Sooo Cooool!

Marvie Time at #336 In Studio Workshops

Drying Fabric Painting

Basic Silkscreening 

More MORE!

THREE TIMES

THREE TIMES MY LIFE HAS OPENED

Three times my life has opened.

Once, into darkness and rain.

Once, into what the body carries at all times within it and starts

to remember each time it enters the act of love.

Once, to the fire that holds all.

These three were not different.

You will recognize what I am saying or you will not.

But outside my window all day a maple has stepped from her leaves

like a woman in love with winter, dropping the colored silks.

Neither are we different in what we know.

There is a door. It opens. Then it is closed. But a slip of light 

stays, like a scrap of unreadable paper left on the floor,

or the one red leaf the snow releases in March.

Photo from http://www.nevacoloma.blogspot.com

from THE LIVES OF THE HEART by

JANE HIRSHFIELD

remenbering by rainer maria rilke

Interview by Lesley Riley

Wen Redmond was Interviewed on Lesley Riley’s radio show.  April 9 2012

Wen Redmond Art Quilter/Fiber Artist

www.blogtalkradio.com

Wen Redmond has been creating art quilts since the 70s a time when art quilting was in its infancy. Over the years it has morphed and grown to incorporate digital imagery and processes that have garnered her quilts attention for her unique vision and processes.

HERE

Fiber FILL-a-Delphia! 2012- last post!

Jill Rumoshosky Werner

Dominie Nash

Last but not all

Fiber FILL-a-Delphia! 2012

ful- Filled

Lia Cook

Lisa Call

Fiber FILL-a-Delphia! 2012

Michael James

Lucy Arai

Yours Truly with Cormorant's Perch. Adjacent to Nancy Crow! I'm vibrating! 
another view on previous post here

Filled to the brim!

Fiber FILL-a-Delphia! 2012

names on title cards. No more words, just sighs.

Remembering your Voice, Finally!

Open Windows 1997

When do you start to listen to your own voice?
When the hollows of your check begin to sag and
you realize the gift of life?
When the voices grow so loud, you can't ignore them
anymore?
When the desire to create overtakes the desire to be 'good'?
Or when you see a process you started once upon a time and nobody thought much of it and you stopped because you listened to them?!
You did!
Why!

detail

The construction of Open Windows is very similar to the digital work I am doing now- doing work in segments. This was done in sections with hand dyed cottons and wools. Each segment was created separately but in unison.  Intuitive curved piecing and applied "free appliqué". Encouraged hanging threads and fabric. It was not accepted in many shows then and was 'retired'. Today, I attended an opening today in Philly and there was a piece there that reminded me of this work. Maybe I should update it a bit and send it back out into the world!
What do you think?

Stone's Breath

What comes to open space is as real as 

what leaves the open spirit.

No intention.

light, shadow, line, sound.

shared natures sensing boundless energy.

When the mind rests, 'work' begins. -- Nancy Neva Gagliano

Georgia

“Sometimes people have the idea that art should be highly refined.

But I always believed that one could make art out of simple, humble

things. Small things can be transcendental. They can change our way

of looking at the world. I think it’s important to make art out of 

almost anything”. Antoni Tapies.

Quilt Visions 2012

the back of my piece, 'First Light'- will publish the front after the opening  Congratulations to the Artists Selected for  Quilt Visions 2012: Brainstorms Thanks to our three terrific jurors: Kate Lenkowsky,  Jane Przybysz, and Kent Williams who viewed nearly  400 entries and selected a stunning exhibition of 40  quilts. After viewing the entries online, the jurors met  at Visions Art Museum for two days for the challenging  task of making the final selections. We are delighted  with  the outcome.   Brooke Atherton, Gail Baar, Mary Buchanan, Betty Busby, Susan  Cavanaugh, Linda Colsh, Nancy Condon, Carol Coohey, Nancy Cordry,  Deborah Franzini, Leesa Zarinelli Gawlik, Marilyn Henrion, Kathleen  Kastles, Lisa Kijak, Barbara Lange, Robert Leathers, Viviana Lombrozo,  Lori Lupe Pelish, Valerie Maser-Flanagan, Denise Oyama Miller, Ree  Nancarrow, Velda Newman, Kathy Nida, Nysha Oren Nelson, Mary Pal,  Katie Pasquini Masopust, Judith Plotner, Sandra Poteet, Wen Redmond,  Valarie Robinson, Dinah Sargeant, Won Ju Seo, Terri Shinn, Kerby Smith,  Joan  Sowada, Tiziana Tateo, VALYA, Patricia Washburn, Kathy Weaver,  Charlotte Ziebarth

Moon Fog

I decided to change one or my mounted FiberArt pieces. Since it is already mounted, I needed to work the piece so the changes didn't interfere with the stretch that mounting requires.

I decided the edges were the parts that I didn't like the most. And the piece needed unification.

I laid a light muted glaze very quickly over the main body first. Then, I applied a opaque flake medium to three edges, in different amounts, to keep the fiber/texture quality. I went over that in paint and added a couple layers of free script, one of my trademarks.

Here's before...

And After...

Moon Fog

Digital Fiber Collage

An assemblage of archival manipulated photographs, printed and collage with hand painted textiles, combining painting and digital media into a one of a kind art piece. Stitched Silk organza, Cotton embedded string, oil stick, mediums and paper.15x17 $345.00 

now available on UpLIFTmENTS- HERE

Color Ride

rolling with the wind, the silk flows and ebbs, sending colors soaring, and me exploring.

New Work on UpLIFTmENTs

Inner Heart

• Purchase HERE

Outside/Inside the Box

My work Cormorant's Perch is honored to be included in this exhibit.

Outside/Inside the Box

Crane Arts Building, Icebox Project Space

March 2 - April 15, 2012


1400 North American St, Philadelphia, PA 19122

Wed – Sun, 12 - 6pm; until 9pm on the 2nd Thurs of each month

Wheelchair Accessible

www.fiberphiladelphia.org/outside_inside-the-box

Slide show- here

Cormorant's Perch

Digital Fiber

Digital manipulated interpretations of a single photograph, created by melding the photograph, and painted fabric in photo shop. This is fused digitally and printed with an Epson 2400 on a variety of inkjet prepared fabrics. The digital fiber photographs are mounted on free sections using heavy stabilizer. Segments are creatively stitched and held together with a hand-tied bookbinding method using dyed pearl cotton.

Edges and top are sealed with UV medium and paint.

30x47

Seth Apter

Brief quote featured on Masters Class on really cool Seth Apter's Blog- HERE

Workshops Coming Up and New Gallery Blog

UpLIFTMeNTs!

My new gallery for small works blog!

http://wenredmond.blogspot.com 

AND

Join Wen in her own studio in Rollinsford, NH, for 

In Studio Workshops in Surface Design  APRIL 2012                

Spring in on Saturdays

4-week series covers a variety of surface design methods…

APRIL 7     Fab Fabric Painting- just featured at Pro Chem

APRIL 14   Basic Silk-screening

APRIL 28   Creating Thermal Fax Silkscreens

MAY 5        Stalking the Wild Print –published in Cloth Paper Scissors 2011

           

You'll learn new techniques or be inspired by new ideas.

            Wen Redmond, a fabric artist for over 30 years, will offer the workshops at her studio, #336, at Salmon Falls Mills, 1 Front St. Rollinsford, NH. (Directions www.millartists.com or GPS)

            The workshops run from 10-4. The first day will start at 9:30 for registration and payment. The cost is $295.00 for entire series or $80.00 per individual class. There is a small materials fee for each workshop.

            There is only room for 6 students so register early. There will be a registration fee of ½ total cost to hold your place in the workshop. For example, if you take all four workshops a total registration fee of $147.50 is due one month aheadof workshop. Workshops will be cancelled 2 weeks in advance if it is a no go. I will return your checks if this is the case.

            When filled, I will post workshop as closed on my tab on my blog. http://fiberartgoddess.blogspot.com.

           

To Register 

EMAIL Wen at wenredmond@yahoo.com for enrollment information and workshop supply list. Please indicate “surface design class”.

 To insure maximum individual attention to each person’s artistic interests, there will be only 6 participants in each of the 2012 classes.

Registration OPENS for all workshops January 10, 2012.

Registration CLOSES for all workshops March 15, 2012. 

I appreciate your support!